Dancers - Alexandra Shieron, Andy Allen, Charles-Alexis Desgagnés, James Koroni, Julio Hugo Penagos, Katherine Roarty, Keshia Robinson, Klara Beyeler, Lauren Cox, Rebecca Lloyd-Jones
Contributing Recording Artist - Amanda Lee, Clara Lofaro
Creative Directors & Choreographers - James Koroni, Tracey Katof
Costume Designer - Lui Konno *Please, Don't Touch - Marlena Pavich
Lighting Designer - Amanda Clegg Lyon
Camera Operators - Joshua Katcher, Melissa Fornabaio
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'Please, Don't Touch,' depicts the unfortunate lives of animals caught up in the skin trade. With this performance piece we become a voice for the voiceless and tell their story. 'Please, Don't Touch' focuses energy on a topic that sits at the intersection of social justice, ecology and design. Our ultimate goal is to to become effective conduits for empathy and creative tools for change. Through the use of live performance, transmedia and personal interaction, this project will impact the heavily guarded perceptions of fur iconography by shedding light on what isn't revealed behind the glitz and glamor.
Enforced Arch's Anti-Fur performance piece, Please, Don't Touch, was featured in 3rd Ward's Semi-Annual Art Gallery Showcase. ‘Please, Don’t Touch’ focuses energy on a topic that sits at the intersection of social justice, ecology and design. It's ultimate goal is to to become an effective conduit for empathy and a creative tool for change. Through the use of live performance, transmedia and personal interaction, this project will impact the heavily guarded perceptions of fur iconography by shedding light on what isn’t revealed behind the glitz and glamor. Here are a few pictures from that evening:
Enforced Arch would like to extend a special thanks to the following people who helped send the Anti-Fur performance piece 'Please, Don't Touch' to Paris. Our community has grown as a result and new opportunities have presented themselves. We created this video to thank everyone for their unconditional support. Enjoy:
Thank you; Amanda Lee, Andrea Rosa, Andrea Torres, The Anti-Fur Society, Beatrice Cox, Bettina May, Blossom Du Jour, Bonnie Erickson, Brooke B Toohey, Bud Burdick, Carly Fox Horton, Celine Orang, Clara Lofaro, CocoaV, Creadanse, Daphne Cheng, David & Nancy Dorius, Elizabeth Castoria, Esther Bell, Foodswings, Gavin Reign, Hope Kandel, Jasmin Singer, Jennifer Fox, Judith Vogel, Julia Hochner, Joshua Katcher, Kristin Mularz, Lauren Cox, Leanne Mai-ly Hilgart, Marcia Fox, Margo Martinez, Marlena Pavich, Mary Sarsfield, Melissa Fornabaio, Michel Lambert, Michele Bernstein, Michelle Cohen Carpenter, Nicole Johnson, Nina Athanasakos, Pamela Elizabeth, Paris Vegan Day, Rachel Kay, Rebecca Hall, Shelley Ohmes, Stacie Adams, Tarik Daniels, The Gentle Gourmet, Vaute Couture, Vegan Paris Day, VegNews, Verité Catering, The West Cafe, Tracey Katof, Zachary Koval
Our fundraising event on Tuesday evening went brilliantly. The turn out was outstanding! A crowd made up of friends, family, artists, activists, fashion industry professionals, dancers, choreographers, Clara Lofaro fans and of course the lure of Bettina May topped it all off! I could not have had a more splendid time. A special thanks you to all those involved including:
Bettina May , dough-nut stop till you get enough!
Clara Lofaro accompanied by Andrea Torres on Taps!
Lauren Cox & myself performing 'Please, Don't Touch' with Marlena Pavich's Anti-Fur pants!
The West Cafe in Williamsburg
Thank you to Cocoa V, Blossom Du Jour, Bettina May's PinUp Class, Foodswings, Tracey Katof, Bud Burdick, Carly Fox Horton, Joshua Katcher, Vaute Couture and of course thank you for being in attendance!
As for the fundraiser element, we raised just enough to send one dancer to Paris which means there is still more outreach to be done. We have created an IndieGoGo web page. If you know anyone that might be interested in our cause please send the following link their way:
http://www.indiegogo.com/Please-Dont-Touch
Here is the launch of our video:
‘Please, Don’t Touch’ focuses energy on a topic that sits at the intersection of social justice, ecology and design. Our ultimate goal is to to become effective conduits for empathy and creative tools for change. Through the use of live performance, transmedia and personal interaction, this project will impact the heavily guarded perceptions of fur iconography by shedding light on what isn’t revealed behind the glitz and glamor.
Distance from home can be frightening considering culture shock, facing strangers or the potential of getting lost in a new land. I don’t feel this way however, I find myself inspired and excited to explore endless possibilities. Throwing myself into the fire lifts what impression of the world I may have had. We tend to seek commonalities in relationships with other people before we can relate but by releasing that need for a cultural comfort zone, you create more acceptance. In this I see beyond my own experiences and expand my capacity to be compassionate towards others.
I hope to travel the world one day and share my "voice" with others. This past weekend I traveled south a few hours to our nations capitol, Washington D.C., for the Annual Anti-Fur Society Conference. I was accompanied by Lauren Cox, a professional dancer from San Francisco. She comes from a much different upbringing than myself but somehow we both dance with compassion and understanding. Our artistic journey may not end in the same place but for this past weekend our path was from New York City to Washington D.C., a big adventure for open minds and open hearts on open roads.
An art initiative online called PINNACLE Reinvent The Icon, encourages artists to utilize their talents to make a statement against Fur. Fur bearing animals live terrifying lives while enduring a great deal of suffering and all for human vanity! After doing my research I felt compelled to create a piece that brings forth their perspective. Hopefully in turn providing a voice for the voiceless.
The piece was inspired by Satyrs, a popular character within Greek Mythology, often portrayed as half man and half goat. These creatures live jovial lives, love to dance, play music and enjoy sexual encounters all making them innately free spirited. I imagine any living being would wish to live their lives this way. I contacted Marlena Pavich, a compassionate costume designer and film stylist, to create the anti-fur pants that would simulate the half goat element of our character. Using all recycled vegan materials, she constructed the most brilliant interpretation of a Satyr I could have ever imagined!
As we walked on stage you could hear clinking silverware and people boasting about the bread sticks. The room was silenced by our focus, intention and powerful advocacy. The music began, our bodies shivered and the story was told.
Taking a moment to realize our experience here on this planet is blind to suffering, society shelters us from these issues because it wants us to stay ignorant to what suffering exists. With information compassionate people take action and this isn’t what the Fur industry wants. “We must be the rebel, and reclaim our position of being the visionary. The fashion industry poses in rebel iconography, when they are the conformist selling out to the fur trade”, said Joshua Katcher of TheDiscerningBrute.com. They have no right to treat animals as painless, lifeless creatures meant for luxury, vanity or power.
My anti-fur piece entitled “Please, Don’t Touch” will release in late July of 2011.
You know Dasher and Dancer and Prancer and Vixen, Comet and Cupid and Donner and Blitzen. Or do you?
'364 The Series' wittingly addresses ecological and social issues while poking fun at popular culture. I find charisma in its playful approach. With a sense of humor they speak to somewhat unreachable ears. People often want to mourn in what ignorance is dwelling. It is our responsibility to tackle current issues and make it known that we are enraged. Until we make society realize that artists are not only talents but also 'Movers', we will continue to live in delusion or live without a voice. In order to make this shift we must do our research and make our medium carry a message.
James Manzello, the writer of '364 The Series' carries the leading role of Donner, a reindeer with good intention, although seemingly disheartened by the worlds current state, finds himself excitable at moments of truth. By alluding to certain topics, Manzello offers a platform of discussion influenced not only with his vegan lifestyle but by having a sense of humor. His performance will inspire others to develop opinions and hopefully make for a more informed society. Fortunately, compassion is found in many forms, and James' seems to find his voice within a chuckle.
While we thought reindeer only had one simple job of pulling Santa's sleigh - the other 364 days of the year they have lives just like you and me.
All styling for '364 the Series' done by cruelty free vegan Marlena Pavich, also featuring vegan recording artist Mandy Duffy in episode 4!
'So You Think You Can Dance' occasionally brings our attention to issues of grave importance. Pieces such as Addiction by Mia Michaels and 'This Woman's work' about a woman with Breast Cancer, by Tyce Diorio are a few I will never forget. With Diorio's message brought to the forefront of the dance community I would like to continue addressing the issue.
Lookin
g back to April of this year, I recall Kentucky Fried Chicken making efforts to raise money for the Susan G. Komen foundation.
50 cents per bucket of deep fried, "chickens, breasts."
How Ironic, this irresponsible fast food chain not only serves food that is breast cancer causing but also perpetuates diabetes, heart attacks and a slue of other health problems! Not to mention it's a bucket full of CHOPPED OFF CHICKENS BREASTS!
Fortunately the Breast Cancer foundation involved pulled out of this fundraiser. These fast food companies are a disgrace to life, compassion and welfare. Not only are they death to small business, they cause health issues in all those who consume their products and get their food through the inhumane practices of factory farming.
A moving quote from Nigel Lythgoe, a judge on 'So You Think You Can Dance,' "I don't know as a choreographer, where you get the strength from... to do a piece like this." Issues such as these often haunt us, hearing about it day to day almost makes us want to avoid it. Unfortunately being ignorant is more popular these days than ever. We can only make change for those suffering if we as choreographers, "find the strength" to be moved by such issues.
Why do you dance?
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